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Todos los héroes
Arquetipos heroicos en el Pulp, los cómics, la radio, el cine y la televisión norteamericana
  • Autoría
Año de Publicación: 2021
: Español
ISBN-13: 9788417865795
Colección: Editum Signos, 48
Tipo: LIBRO
URI: https://publicaciones.um.es/publicaciones/public/obras/ficha.seam?numero=2870&edicion=1
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Resumen

Thomas Carlyle creía que la sociedad se cimentaba en el culto a los héroes: «La adoración a los héroes ha existido siempre y en todas partes». El heroísmo se ha convertido en un producto, un bien comercializable con gran demanda: necesitamos el heroísmo para sobrellevar la vida ordinaria, gestionar las dificultades y mantener una actitud optimista incluso en los momentos duros.
Cualquier película o serie de televisión, boom literario y objeto de ocio que triunfa en Estados Unidos, lo hace en el resto del mundo. De alguna manera, Estados Unidos acabó convirtiéndose en la principal factoría de héroes del siglo XX. En cuanto al volumen de producción, su capacidad exportadora y la influencia en los demás países –como mínimo en Occidente– Estados Unidos ha marcado la tendencia y establecido los códigos que rigen la industria del entretenimiento a escala mundial.

Tabla de contenido

INTRODUCCIÓN

1. HÉROES DEL OESTE

1.1. Owen Wister y El Virginiano

1.2. La literatura del Oeste

1.3. Novelas de diez centavos. E.Z.C. Judson y Buffalo Bill

1.4. Bosques y desiertos: Daniel Boone, Zane Grey

1.5. El Zorro. Hopalong Cassidy. Louis L’Amour

1.6. Western Story y los magazines pulp

1.7. El cine. Tom Mix, Gene Autry, Roy Rogers

1.8. Los seriales cinematográficos

1.9. El western en la radio. The Lone Ranger y la música country

1.10. Series de televisión. Gunsmoke, Have Gun Will Travel

1.11. Cómics del Oeste: Kid Colt Outlaw, Rawhide Kid

1.12. Juguetes: el catálogo de Sears, los Fanner-50 de Mattel

1.13. Cromos coleccionables: Bowman, Topps

1.14. Un mito americano

2. DETECTIVES

2.1. Edgar Allan Poe y Los crímenes de la calle Morgue

2.2. Wilkie Collins y la «sensation novel»

2.3. Precedentes de la novela detectivesca: Vidocq, The Boy Detective

2.4. The Strand, Arthur Conan Doyle y Sherlock Holmes

2.5. Los sucesores de Holmes. G.K. Chesterton y el Padre Brown

2.6. Detectives modernos. Collins Crime Club y Detection Club

2.7. Agatha Christie, Hercule Poirot y Miss Marple

2.8. Detectives americanos: la Agencia Pinkerton, Nick Carter Weekly

2.9. The Black Mask. Sam Spade, Philip Marlowe y el «Hard-boiled»

2.10. Detective Story, Dime Detective y los magazines pulp

2.11. Detectives de lo oculto. Flaxman Low, Carnacki

2.12. The Shadow, Dick Tracy, Crime Does Not Pay

2.13. Películas y seriales: de Charlie Chan a Mike Hammer

2.14. Los detectives en la radio. Mercury Theater y Crime Classics

2.15. Series de televisión: de Barney Blake a Hill Street Blues

2.16. Juguetes: Tommy Guns, Mr. Ree, Clue

2.17. El último bastión

3. HÉROES DE CIENCIA FICCIÓN

3.1. Mary Shelley, la invención de un género

3.2. Los orígenes de la ciencia ficción

3.3. Julio Verne y los Viajes extraordinarios

3.4. H.G. Wells y la ciencia ficción moderna

3.5. Ciencia ficción en la época victoriana

3.6. Novelas de diez centavos. Frank Reade, Jr.

3.7. Revistas juveniles inglesas: Sidney Gowing, Boy’s Magazine

3.8. Pulps de ciencia ficción. Hugo Gernsback y Amazing Stories

3.9. Cómics de ciencia ficción. Buck Rogers, Flash Gordon

3.10. El cine de ciencia ficción: maratón de películas de serie B

3.11. La ciencia ficción en la radio. Space Patrol, Dimension X

3.12. Series de televisión. The Twilight Zone, Star Trek

3.13. Juguetes: XZ-31 Rocket Pistol, robots japoneses

3.14. Cromos coleccionables: Topps, Donruss

3.15. Un lugar en el universo

4. HÉROES DE AVENTURAS

4.1. Daniel Defoe y Robinson Crusoe

4.2. Walter Scott: Rob Roy, Ivanhoe, Robin Hood

4.3. Alejandro Dumas: Los tres mosqueteros, El conde de Montecristo

4.4. Aventuras en alta mar. Moby Dick, La isla del tesoro

4.5. Mark Twain: Tom Sawyer, Huckelberry Finn

4.6. Henry Rider Haggard: Allan Quatermain, Ayesha

4.7. Jack London y Rudyard Kipling: Colmillo blanco, Mowgli

4.8. Emilio Salgari: Sandokán, el Corsario Negro

4.9. El prisionero de Zenda, Lord Jim, Frank Merriwell

4.10. Pulps de aventuras: Arthur Hoffman y Adventure

4.11. La hegemonía del género de aventuras en los pulps

4.12. Erotismo y masculinidad: las revistas «Men’s Adventure»

4.13. Cómics de aventuras: Prince Valiant, Steve Canyon

4.14. Héroes de la jungla: Ka-Zar, Bomba, Sheena

4.15. Classics Illustrated, Four Colors, Sunday PIX

4.16. Cine de aventuras: Trader Horn, Captain Blood, Tarzan

4.17. Seriales cinematográficos: Ace Drummond, Jungle Girl

4.18. Aventuras en la radio: Hop Harrigan, Sgt. Preston of the Yukon

4.19. Series de televisión: Adventureland, Lassie, Daktari

4.20. Juguetes: Ramar of the Jungle, Big Jim de Mattel

4.21. Cromos coleccionables: Maple Leaf, Topps, Bowman

4.22. La valentía como bandera

5. HÉROES DE GUERRA

5.1. Las memorias de Ulysses S. Grant

5.2. Charles King y los regimientos de caballería

5.3. Stephen Crane y La insignia roja del valor

5.4. La literatura de la Guerra Civil americana

5.5. Novelas de diez centavos: The War Library, Blue and Grey

5.6. I Guerra Mundial: John Dos Passos, Ernest Hemingway

5.7. War Stories y los magazines pulp

5.8. II Guerra Mundial: Norman Mailer, James Jones

5.9. Novelas sobre la guerra nuclear, Corea y Vietnam

5.10. Cine bélico: del Sargento York a John Rambo

5.11. La radio en tiempos de guerra: un apoyo imprescindible

5.12. Series de televisión: Combat!, Convoy, The Rat Patrol

5.13. Cómics de guerra. Joe Palooka, Beetle Bailey, Sgt. Fury

5.14. Juguetes bélicos: de los soldados dimestore a GI Joe

5.15. Cromos coleccionables: American Tobacco, Gum Inc., Topps

5.16. La llamada del deber y más allá

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1898Cómo citar (APA 7th)Caño Díaz, H. (2021). Todos los héroes. Editum. Ediciones de la Universidad de Murcia.
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